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Thanks for the listen and any input Smile
(28-11-2013, 06:55 PM)bmullen Wrote: [ -> ]Thanks for the listen and any input Smile

Simply but very effective, good job Bob!!!

I like so much!!!
Great mix, I really like it. Listening on my headphones the only thing I can offer: Fretless bass played like in this song lives from the extensive use of "mwah", a rather sonor sonic quality that lives somewhere in the mids (usually 500-800). It is the combination of the instrument itself and the way the string is plugged and articulated. That sonic quality is all that I do miss in your mix.
Really nice mix!!!

The only thing I would put not so in front the vox, and I would pan the backing vox hard L/R when there is the bass solo... but is just my taste Smile

All best

Jacques
Very nice generally but you should clean the vocal track from some noises and give life to the fretless bass.
Thanks for the great suggestions. Here is my attempt at implementing them Smile
I've enjoyed your mix so much that I think I will go for this one as well!! good job!!
I really like this mix - nice job! Just a couple of small items for me. I actually preferred your panning of the background vox in your first mix. Hard L and R separates them from the bass too much when they are singing the same melody the bass is playing. Also, around 3:05 the violins enter so loud that they overpower the lead vox a bit. Maybe some automation or a sidechain compressor triggered by the lead vox to tame them. Other than that, very nice!
(04-12-2013, 01:50 AM)jspace24 Wrote: [ -> ]I really like this mix - nice job! Just a couple of small items for me. I actually preferred your panning of the background vox in your first mix. Hard L and R separates them from the bass too much when they are singing the same melody the bass is playing. Also, around 3:05 the violins enter so loud that they overpower the lead vox a bit. Maybe some automation or a sidechain compressor triggered by the lead vox to tame them. Other than that, very nice!

Thanks
I used automation to fix the 3:05 violin track up to the end since I had already used it earlier and decided to compromise on the BK VOX panning during the Bass solo (80%).
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