Now we're getting there...Guitars sound much better..much more in-sync with bass...which is working better with drums.....so that whole low end has much more punch now....plus improved stereo imaging is delivering more drive.
Now you are on your own 'cos I've exhausted my limited knowledge of this genre...and what i do know I've only learnt myself in the last week
For sure...I'm not suggesting the use of compression...or brick-wall limiting....just fader levels. In my experience DR is usually a function of the difference in levels between the snare and bass/kick (obviously a simplified anecdotal model -----nobody get upset)....so as we bring the bass/kick up....the gap is narrowed and DR is reduced..
I think this is more noticeable in genres where bass/kick is very solid like metal whereas with funk for example the bass/kick will release much more obviously after the beat.
Now you are on your own 'cos I've exhausted my limited knowledge of this genre...and what i do know I've only learnt myself in the last week
(13-08-2014, 02:16 AM)pauli Wrote: I think we can get it sounding like metal without crushing it all to hell.
For sure...I'm not suggesting the use of compression...or brick-wall limiting....just fader levels. In my experience DR is usually a function of the difference in levels between the snare and bass/kick (obviously a simplified anecdotal model -----nobody get upset)....so as we bring the bass/kick up....the gap is narrowed and DR is reduced..
I think this is more noticeable in genres where bass/kick is very solid like metal whereas with funk for example the bass/kick will release much more obviously after the beat.