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Throwing in my mix version.
Nothing relevant to report. Just a lot of fun in playing with this mix.
Automation at a later stage.
cheers
Replaced with a far better balanced version
cheers
looked liked you had some overs.
(11-05-2016, 04:34 AM)Aresfin Wrote: [ -> ]looked liked you had some overs.

thanks, but sorry I don't get this. Not an English mother tongue. You mean too much overheads? Or you intend it looks like I had an hangover while mixing this? ;-)
cheers
Hi Lammy! That's really fine work!
It's seemed to me that Slash met LionelCool
When I start to mixing this, I'll call Benson)))
(11-05-2016, 11:06 PM)Konek Wrote: [ -> ]Hi Lammy! That's really fine work!
It's seemed to me that Slash met LionelCool
When I start to mixing this, I'll call Benson)))

Thanks very much, I'm listening after ear rest and there are a few flaws I'll try to correct:
- snare a little too wet and a little too loud - or transient not properly tamed
- other details that are not pleasing 100% (back vocs, overheads...) where improvements can be done.
Maybe a proper mastering session would help.
Not qualified to mix Richie or Hudson ;-)
(11-05-2016, 11:40 AM)Lammy Wrote: [ -> ]
(11-05-2016, 04:34 AM)Aresfin Wrote: [ -> ]looked liked you had some overs.

thanks, but sorry I don't get this. Not an English mother tongue. You mean too much overheads? Or you intend it looks like I had an hangover while mixing this? ;-)
cheers

no, I mean on the mix bus output, it's clipping.
(20-05-2016, 06:35 AM)Aresfin Wrote: [ -> ]no, I mean on the mix bus output, it's clipping.

I see what you mean now. It doesn't matter. Busses are 64 bit mixer processing in plugin-to-plugin transfer and summing, and 32 bit in internal rtas plugin processing. with plenty of headroom. Scaling down to 24 bit is done at master fader transfer point.
That means: during mixing, in general, if busses are just "touching red" and master tracks are not red, all is good in Protools 10.
cheers