Those claps... it didn´t went as easy as I first thought it would. To anybody wondering... I made a duplicate of the claptrack and used the scissors to divide it into three sections, before, after and during breakdown. I moved each section one clap late and moved the last clap of each section to act as first clap of its section. Some of the claps got a bit loose so I went in to nudge just those claps to match the timing of the source clap track. Soloed in and discovered that in more places than one the exact same clap was copied & pasted used up to three, four times in a row in the sourcetrack, and when those got duplicated in the stereofield it got quite a bit phasey. I had to do a lot more editing than I first anticipated.
I didn´t pan them 100% but later in the "mastering" phase when referencing, I widened my mix to be in the same ballpark as the reftrack, claps probably got more or less 100% anyhow.
Used the same technique on gangvox and doohs.
I didn´t pan them 100% but later in the "mastering" phase when referencing, I widened my mix to be in the same ballpark as the reftrack, claps probably got more or less 100% anyhow.
Used the same technique on gangvox and doohs.