Thanks for listening.
It was helpfull by the way.
It's true that I made the kick drum and bass to bassy and maybe also to muddy.
I was more in my head like: 'Hey, I've got to use a lot of E.Q. to make this pumping and hard without losing the dynamics which would occur with compression.'
I think I maybe made the overheads to 'reverby' because I actually found the cymbals, hats, ect. all over the place distracting myself.
But I have a problem: in my D.A.W. (I use Audacity (free), with free plug-ins, pretty cheap active monitors and a Line6 interface as a sound card (I also record, that is how I got into mixing) ) I cannot undo previous 'effects' or 'processions' except if I didn't close my project after the 'effect' I want to change and if you undo an 'effect' you lose all the 'effects' you added after the undone effect.
If anybody can follow, that means: I always have to think twice because I find it harder (and I think it is) to make a track good that is 'unprocessed' where you have a good overall view of your sound than a heavely processed track that is already 'overwhelmed'.
It was helpfull by the way.
It's true that I made the kick drum and bass to bassy and maybe also to muddy.
I was more in my head like: 'Hey, I've got to use a lot of E.Q. to make this pumping and hard without losing the dynamics which would occur with compression.'
I think I maybe made the overheads to 'reverby' because I actually found the cymbals, hats, ect. all over the place distracting myself.
But I have a problem: in my D.A.W. (I use Audacity (free), with free plug-ins, pretty cheap active monitors and a Line6 interface as a sound card (I also record, that is how I got into mixing) ) I cannot undo previous 'effects' or 'processions' except if I didn't close my project after the 'effect' I want to change and if you undo an 'effect' you lose all the 'effects' you added after the undone effect.
If anybody can follow, that means: I always have to think twice because I find it harder (and I think it is) to make a track good that is 'unprocessed' where you have a good overall view of your sound than a heavely processed track that is already 'overwhelmed'.