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3D-MARCo Project - String Quartet (Hein-Ivan Mix)
#1
My try on this. Thanks for listening! Big Grin


.mp3    3D-MARCo Project - String Quartet.mp3 --  (Download: 4.2 MB)


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#2
In order to evaluate the work I need to look into the project myself. After seeing 69 tracks, I was too lazy to tackle this project. However, your example has encouraged me. I Download the project and start working with it. After I do it myself I will be able to assess the scale of your work. Anyway, kudos to you for your hard work.
Alexander
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#3
I opened the project, didn't understand anything and deleted it. It has something to do with 5.1. But since there is no additional information, I didn't understand what to do about it. ))))
Alexander
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#4
If you are interested, info regarding the project is available here: https://hklworldblog.wordpress.com/2020/08/05/3d-marco/

Cheers!
Just uploaded a mix/master?  Waiting for comments? Why not give back and critique a mix/master, or two!
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#5
(23-09-2021, 04:27 PM)Equilibrium Wrote: In order to evaluate the work I need to look into the project myself. After seeing 69 tracks, I was too lazy to tackle this project. However, your example has encouraged me. I Download the project and start working with it. After I do it myself I will be able to assess the scale of your work. Anyway, kudos to you for your hard work.
Hi Equilibrium! Many thanks for the comments. Yes, this was a challenge, but still fun and educational to do. Cheers!
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#6
(23-09-2021, 05:47 PM)mikej Wrote: If you are interested, info regarding the project is available here: https://hklworldblog.wordpress.com/2020/08/05/3d-marco/

Cheers!
Hi mikej! Thanks for the link Big Grin
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#7
(23-09-2021, 05:47 PM)mikej Wrote: If you are interested, info regarding the project is available here: https://hklworldblog.wordpress.com/2020/08/05/3d-marco/

Cheers!
Thanks, I read it. It's all more or less cleared up now.  Big Grin 
"The purpose of the project was to create an open-access database of musical recordings and room impulse responses to research about what kind of perceptual differences that different 3D mic techniques can produce for recordings made in an acoustic environment". 
Alexander
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