29-05-2015, 05:57 PM
Well, it's blasphemy to mention Phil Spector in this case, but his sixties sounds was my main inspiration here.
As I "adviced" Voelund to make his mix of this song wider and more modern, I had no other choise that to make an almost mono mix my self. (It's never fun to listen one's own advice). Voelund happened to mention Phil Spector - and that was the moment when my real interest for this song arouse.
So Ronettes "Be My Baby" was the first guidance (snare with HUGE tail), and then I took Supremes' "You Can't Hurry Love", and try to stole the bass sound from there (full bass that doesn't go so low). And the rest of the instruments I tried to fit to that basis.
My mix is far from the real stuff, but it was surely fun to do.
As I "adviced" Voelund to make his mix of this song wider and more modern, I had no other choise that to make an almost mono mix my self. (It's never fun to listen one's own advice). Voelund happened to mention Phil Spector - and that was the moment when my real interest for this song arouse.
So Ronettes "Be My Baby" was the first guidance (snare with HUGE tail), and then I took Supremes' "You Can't Hurry Love", and try to stole the bass sound from there (full bass that doesn't go so low). And the rest of the instruments I tried to fit to that basis.
My mix is far from the real stuff, but it was surely fun to do.