09-06-2019, 12:54 AM
(This post was last modified: 09-06-2019, 12:56 AM by vicenzajay.)
Here's my take on it. I went a little less "hard" percussion forward and attempted to develop a quite *big* space to circumscribe the action within the piece. I also put some movement into the synths - to include some different stereo field treatments on the "drone" to help it 'pulse' a bit more interestingly. Overall, this vision is a bit less "in your face" across the percussion spectrum as some of the other mixes seem to be thus far.
Of note - many thanks to the group for letting us mix this!
After saying that, I'm not understanding some of what happened at the recording stage of this production. I spent several years doing mobile recording, and I'd have had a hard time getting repeat engagements if I let as much clipping occur as happens on several of these tracks. It's all good (and good practice for us in dealing with it), but I'm wondering what the gain/recording chain decisions were (or were not) given the results.
In any case, cheers and hope this is at least interesting to listen to:
Of note - many thanks to the group for letting us mix this!
After saying that, I'm not understanding some of what happened at the recording stage of this production. I spent several years doing mobile recording, and I'd have had a hard time getting repeat engagements if I let as much clipping occur as happens on several of these tracks. It's all good (and good practice for us in dealing with it), but I'm wondering what the gain/recording chain decisions were (or were not) given the results.
In any case, cheers and hope this is at least interesting to listen to: