“I’m ssspinning around…” While I wait for Kylie's call, I guess mixing this may be the next best thing.
At first I thought there were just too many of everything, but it made more sense when I started to look at those seemingly redundant guitars and pads as a cool alternative to EQ, so most global tone shaping was just fader balance, it's such a well crafted arrangement. As always, bass will be a hit and miss thing, not having way to know how it translates out of my cans, though main offender here it’s likely I tried to cramp too many things in there. Takka360 and BETA managed to get a pretty solid darkish tone that left me thinking mine was pretty scooped.
Also, there’s a good chance I totally messed up with mono compatibility, so I’ll appreciate your feedback!
Mix printing time, I ended up with an oddly reasonable DR13, with a RMS/peak ratio wider than most of my guitar music mixes, which I found strange. So my hack-mastering was way more aggressive than usual, giving me my first brick, still kinda tame for a dance tune yet.
At first I thought there were just too many of everything, but it made more sense when I started to look at those seemingly redundant guitars and pads as a cool alternative to EQ, so most global tone shaping was just fader balance, it's such a well crafted arrangement. As always, bass will be a hit and miss thing, not having way to know how it translates out of my cans, though main offender here it’s likely I tried to cramp too many things in there. Takka360 and BETA managed to get a pretty solid darkish tone that left me thinking mine was pretty scooped.
Also, there’s a good chance I totally messed up with mono compatibility, so I’ll appreciate your feedback!
Mix printing time, I ended up with an oddly reasonable DR13, with a RMS/peak ratio wider than most of my guitar music mixes, which I found strange. So my hack-mastering was way more aggressive than usual, giving me my first brick, still kinda tame for a dance tune yet.