Yeah, that is a problem. They contribute more to the articulation of the guitars than the tone once the electrics join in but they're still there. In my session, I went back in and made some EQ adjustments on both the acoustics and the chorus-after harmony section (which I muted the first time it appears in order to try to add more movement to the tune) and that seemed to help them come out more.
If you're gonna mix this, take my advice... spend MUCH time adjusting the timing of all the tracks before you add anything more than compression. The results are most definitely worth it. When everything gels, this is actually a really cool tune. He could use a little vocal coaching to smooth over a few phrases but he did a very good job overall and I like what he assembled.
If you're gonna mix this, take my advice... spend MUCH time adjusting the timing of all the tracks before you add anything more than compression. The results are most definitely worth it. When everything gels, this is actually a really cool tune. He could use a little vocal coaching to smooth over a few phrases but he did a very good job overall and I like what he assembled.
Old West Audio