12-04-2019, 02:25 PM
Listening mallory6 only, it's really good, no problem with the hats here (though who knows how deaf am I already?) I love how the high spectrum of the reverb seems to breath in the verses. Everything under control and a nice middle8. Just some things that fell out of place:
- Piano needed a little bit more meat and brightness (maybe more close mics and less room), it feels a little detached from the rest of the track in the sparsest moments and gets subdued in the busy parts.
- That pseudoindustrial loop in the bridges has too much presence, it kinda eats the guitars and piano, especially in comparison to the airy and soft loop in the verses.
- The lead vocal in the big final seems too little and lack gravitas (maybe you could have kept the BGV's in their original position and copypaste so to still have the call and response trick?
- Piano needed a little bit more meat and brightness (maybe more close mics and less room), it feels a little detached from the rest of the track in the sparsest moments and gets subdued in the busy parts.
- That pseudoindustrial loop in the bridges has too much presence, it kinda eats the guitars and piano, especially in comparison to the airy and soft loop in the verses.
- The lead vocal in the big final seems too little and lack gravitas (maybe you could have kept the BGV's in their original position and copypaste so to still have the call and response trick?