Wess Meets West: '64 Bristol'

[javierpg84]

Thank you for the input dcp10200. How do you achieve the bigeness and intensity climax in your mixes? I have been struggling with that part long time ago. Thx

It really is all about arrangement, a build to a climax really should add a tention to the sound of the music. In this track, the build to the "chorus" starts out pretty empty and gradually starts adding more and more layers to the repeating guitars untill it breaks into the choir vocals and heavy drum rhythm. The trick with this set of multis is that there's alot of guitar tracks playing the same thing but with different tones, really you need to sit down and weed out what tracks work the best for your mix and figure out what goes where. Myself I eliminated 18 tracks of guitars (if you don't include multi mic'ed tracks it's really 15), this allowed me abit more control over what was going on and left some room to add some emptiness to the arrangement.

Like I said, the main way to exaggerate builds is finding ways of creating some form of tension in the arrangement, in this case empty space and near silence is your best friend.

Cheers, and hope this helps,
Dcp

Yo said it right Dcp. Thank you for the input. I love when people share info and knowledge. Take care and let,s keep in touch