15-03-2018, 05:15 PM
Ask yourself if you can hear every bit of detail of every element in the mix at all times and at a low SPL.
The mix sounds one dimensional. Can you make it 3D by balancing the relationship between the instruments with early and late reflections? Panning the stereo piano tracks wide is unwise because of the lack of localisation and direction. Is the piano really THAT wide?
The Abbot wants more dynamics!
Take a listen to the timbre of the piano against the guitar. Is there an imbalance?
The bass guitar is missing something important.
This is a difficult mix to do because everything is exposed and in the open, so be positive.
The mix sounds one dimensional. Can you make it 3D by balancing the relationship between the instruments with early and late reflections? Panning the stereo piano tracks wide is unwise because of the lack of localisation and direction. Is the piano really THAT wide?
The Abbot wants more dynamics!
Take a listen to the timbre of the piano against the guitar. Is there an imbalance?
The bass guitar is missing something important.
This is a difficult mix to do because everything is exposed and in the open, so be positive.
"Nearly half of all teenagers and young adults (12-35 years old) in middle- and high-income countries are exposed to unsafe levels of sound from the use of personal audio devices": https://tinyurl.com/6xeeahc5 Read my bio.