16-02-2017, 04:57 PM
(This post was last modified: 16-02-2017, 05:06 PM by Digitaldruglord.)
(16-02-2017, 05:09 AM)Cudjoe Wrote: Hi DDL I think this could be a fantastic mix if you backed off with that comp/limiter as don mentioned, try it out.
Ironically in this mix the tracks are almost all bussed with an LA2A to contain a leveling of each track to mesh into a soundscape kind of presentation.. this is where the technical ear hear the comp/limiting effects.. The global comp/limiter is not the effect point, its on each track object, the strategy being to present a 60's saturated color tone (which I feel works for the mood of this particular song) without needing to revert to a tape emulation (which wasn't used but could have been the alternative saturation color decision).
There's other versions of this core mix that could exist that would employ different levels of a more loose comp/limit.. it definitely could be 2 or even up to 4 versions delivered to a client to pick from...
To go for the Tom Petty reference, the comp/limiting def have to be more loose.... To go for a Green Day reference would be the heavier comp/limiting..
M1 Pro MBP: is my Hattori Hanzo.