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Patrick Talbot - Upper Hand (M&F)
#19
(31-01-2016, 08:10 AM)Shul Wrote:
(31-01-2016, 07:42 AM)Digitaldruglord Wrote: Then you mix the song the way you want to hear it.. the files are there.. there will be a zillion versions of this song posted here.. no one here is making money so no one needs to jump through hoops over every 1 or 2 different comments (opinions).. And sure enough a mixer will pass it to someone else because there's a million different ways this song can sound.. its up to the artist/producer to pick what they like, no one is going to wait for a mixer to deliver, they go to a person they feel comfortable with.. or else 1 guy would be mixing every record in the world..

Sure enough I would tell the client I refuse to make anything less than my sound and they would have to go somewhere else.. You can kill yourself working for a client looking for a unicorn, thats on you.

Constructive comments here I've found come from the guys who mixes I find are great, and I accept those comments with honor.. the insults come from insecure mixers.. who mixes sound like amuture bedroom demos... likely speaking from a bit of jealousy over my signature... Since you always find issue in my post, from now on you can simply skip my postings.. right?

I'm not gonna skip no posts. I will listen to your mixes if I want. Here and there I have commented your posts with good comments. Sure I have found bad things about some.. but so have other people. If you don't like it when people point at things you do wrong in your mix, don't post your mixes.. (that doesn't sound good does it?) so don't tell me to skip a post over my "opinion".

I'll stick to my "amature mixes" by the way dude.. Everything I do.. I do it in a 2007 computer and I use headphones to mix... jealous of your signature? why because you have all that equipment? that equipment is useless if your mixes end up clipping and distorting.

having said that have a good day man Smile

Unless you're using premium cans that can handle at least 300Ω most high volume material is going to distort. For MP3s and general 16-bit audio you may get a decent signal response but if you attempt to listen to anything mastered in 24-bit (aka High Rez) and you don't have the listening power to accommodate the bandwidth, or even a DAC that can properly play back 24 bit.. its not going to work. My work is for 24-bit capable gear.. high-end (and high powered) audiophile playback environments.
M1 Pro MBP: is my Hattori Hanzo.
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Messages In This Thread
RE: Patrick Talbot - Upper Hand (mix only) - by Digitaldruglord - 03-02-2016, 06:57 PM
RE: Patrick Talbot - Upper Hand (M&F) - by Olli H - 09-02-2016, 06:55 PM
RE: Patrick Talbot - Upper Hand (M&F) - by Olli H - 10-02-2016, 07:14 AM