15-05-2015, 06:13 PM
Hi Mate
I would run a parallel of your drum buss without overheads and get about 6 to 10 db GR then mix this in a touch to your mix this will fatten up the drums. For the kit overhead mics run another parallel Bus with a couple of db's compression and eq'd to bring out more high and mix this in a touch to enhance the cymbals etc. Maybe a bit of saturation on both of the parallels. This will give them a bit more oomph without overpowering the dynamics. The trick is to bring up the parallel bus faders until you just hear them add the depth and then balancing them. It tends to make the snare sit up as well
Memphis
I would run a parallel of your drum buss without overheads and get about 6 to 10 db GR then mix this in a touch to your mix this will fatten up the drums. For the kit overhead mics run another parallel Bus with a couple of db's compression and eq'd to bring out more high and mix this in a touch to enhance the cymbals etc. Maybe a bit of saturation on both of the parallels. This will give them a bit more oomph without overpowering the dynamics. The trick is to bring up the parallel bus faders until you just hear them add the depth and then balancing them. It tends to make the snare sit up as well
Memphis
Rock n Roll Man in a Digital Age
Ice-16 Interface/Cubase Artist 8/Lenovo I5 quad/X2442/Fender Telecasters/Fender Hot rod, Champ, Junior/ M-Track Interface/
Ice-16 Interface/Cubase Artist 8/Lenovo I5 quad/X2442/Fender Telecasters/Fender Hot rod, Champ, Junior/ M-Track Interface/