19-11-2014, 09:35 PM
Great article. It describes something similar that I've learned from Fab Dupont in one of his Puremix tutorial.
Fab usually set up 3 reverb and send various things to it at various levels.
He's got an 'Office' verb, which is similar to the short verb Mike's talking about, helps put thing more or less in your face and in a defined (although confined) space, then a Room or Plate one to fatten up some instruments, and a Short Hall similar to Mike's long verb, this one for depth and 'stage' placement.
All of this makes sense. Why is it so hard to put into practice reliably?
Fab usually set up 3 reverb and send various things to it at various levels.
He's got an 'Office' verb, which is similar to the short verb Mike's talking about, helps put thing more or less in your face and in a defined (although confined) space, then a Room or Plate one to fatten up some instruments, and a Short Hall similar to Mike's long verb, this one for depth and 'stage' placement.
All of this makes sense. Why is it so hard to put into practice reliably?
"Music, in performance, is a type of sculpture. The air in the performance is sculpted into something." - Frank Zappa
Some air moved here
Some air moved here