have you read mikes article about facade?
"My solution to the 'Facade' quandary, therefore, was to edit together a rhythm‑part double‑track by copying and pasting the guitar parts between the two choruses (something that's a cinch to do with any repetitive part like this), allowing me to keep the mic signals for each guitar part panned close together on opposite sides of the stereo picture. That meant that I could freely adjust the guitar tone without unduly compromising the mono compatibility of the track as a whole."
Maybe this works for Blood to the Bone too?
Anyway, I made a new mix based on Mikes tips. I`m happy with it now - the guitars sound so much better in the chorus. Many, many thx for pointing me in the right direction Pauli.
"My solution to the 'Facade' quandary, therefore, was to edit together a rhythm‑part double‑track by copying and pasting the guitar parts between the two choruses (something that's a cinch to do with any repetitive part like this), allowing me to keep the mic signals for each guitar part panned close together on opposite sides of the stereo picture. That meant that I could freely adjust the guitar tone without unduly compromising the mono compatibility of the track as a whole."
Maybe this works for Blood to the Bone too?
Anyway, I made a new mix based on Mikes tips. I`m happy with it now - the guitars sound so much better in the chorus. Many, many thx for pointing me in the right direction Pauli.