Jumping into the conversation between you and Takka, I will always look to boost upper harmonics on bass. I use very narrow peaks e.g. if 1st harmonic is around 120hz, I'll boost peaks at 480 & 960 (sometimes 240 and 1920 as well, depending on track). If you scoop out a hole in the kick at around 400Hz, it sits beautifully and will cut through mix. Very important for melodic bass playing styles with lots of 1st and 2nd octave action, less so for chunky open string grinds.
Back to your mix - i like it a lot. Everything in the backing track sits really nicely. Love the sound of your drums....Jealous. Hammond, bass and guitar all sound good and groove together.
the ONLY thing I can offer is perhaps for the vocals...they seem a smidgen light in parts...maybe a bit of/more parallel comp. to thicken up and add urgency. This may allow you to drop the vocal level slightly and bring it back into the band......but this only a preference of mine, not a criticism....you've heard my mix and know I like it aggressive.
Back to your mix - i like it a lot. Everything in the backing track sits really nicely. Love the sound of your drums....Jealous. Hammond, bass and guitar all sound good and groove together.
the ONLY thing I can offer is perhaps for the vocals...they seem a smidgen light in parts...maybe a bit of/more parallel comp. to thicken up and add urgency. This may allow you to drop the vocal level slightly and bring it back into the band......but this only a preference of mine, not a criticism....you've heard my mix and know I like it aggressive.