14-06-2024, 04:55 PM
Hello everyone,
I hope you're all doing well. I'm thrilled to share with you my mix of Andrey Yaroshinsky & The Gnessin Academy Chamber Orchestra's rendition of W.A. Mozart's Piano Concerto No. 12 K414 (Allegro).
As someone relatively new to mixing classical orchestral music, I've tried to bring a fresh perspective to this piece. I've used the Haas effect (stereo delays) on mono channels for more realistic panning. Volume automation was written on the master channel. All instruments were divided into three groups - foreground, middle, and background. They were then sent to three different reverbs with slightly different settings. The balance between the main stereo pair and the hall was changed depending on the dynamics of the composition to give more depth and width in loud places.
I'm posting my work here to seek your valuable feedback. I'm interested in hearing your thoughts on the mix, the effects used, the balance of the instruments, and the overall feel of the piece.
Please feel free to share your constructive criticism and suggestions. Your feedback will not only help me improve this particular mix but also aid in my overall growth as a sound engineer.
Thank you for taking the time to listen and share your thoughts. I look forward to reading your comments and engaging in enriching discussions.
Best regards, Ihar
I hope you're all doing well. I'm thrilled to share with you my mix of Andrey Yaroshinsky & The Gnessin Academy Chamber Orchestra's rendition of W.A. Mozart's Piano Concerto No. 12 K414 (Allegro).
As someone relatively new to mixing classical orchestral music, I've tried to bring a fresh perspective to this piece. I've used the Haas effect (stereo delays) on mono channels for more realistic panning. Volume automation was written on the master channel. All instruments were divided into three groups - foreground, middle, and background. They were then sent to three different reverbs with slightly different settings. The balance between the main stereo pair and the hall was changed depending on the dynamics of the composition to give more depth and width in loud places.
I'm posting my work here to seek your valuable feedback. I'm interested in hearing your thoughts on the mix, the effects used, the balance of the instruments, and the overall feel of the piece.
Please feel free to share your constructive criticism and suggestions. Your feedback will not only help me improve this particular mix but also aid in my overall growth as a sound engineer.
Thank you for taking the time to listen and share your thoughts. I look forward to reading your comments and engaging in enriching discussions.
Best regards, Ihar