20-02-2019, 07:43 PM
Hi Quentin,
Thanks for the kind words! I remember from the outset that the Intro section wasn't really working for me as it was, so I thought to go for that radio/telephone effect... think All Time Low/Neck Deep style production.
In answer to your question: YES I do master the song in Logic as well.
I'll bus everything to my mixbus and go from there, that way I can easily swap to a reference track and hear whereabouts I am along the way.
My mixbus normally looks something like this:
Waves CLA-2A / CLA-76 (Black) - no more than 2db of compression here
Slate Digital - Virtual Tape Machine - to thicken up the low end
Waves C6 - only for the low end - again 2-3db of compression and a healthy amount of makeup gain
Logic Stock EQ (sides only) - HPF around 100hz - helps the mix sound nice and wide
Waves L1 Limiter - set to -0.3 and no more than 3-4db of reduction
Hope this helps!
Let me know if you'd like to know anymore.
Alex Jeffries Producer
Thanks for the kind words! I remember from the outset that the Intro section wasn't really working for me as it was, so I thought to go for that radio/telephone effect... think All Time Low/Neck Deep style production.
In answer to your question: YES I do master the song in Logic as well.
I'll bus everything to my mixbus and go from there, that way I can easily swap to a reference track and hear whereabouts I am along the way.
My mixbus normally looks something like this:
Waves CLA-2A / CLA-76 (Black) - no more than 2db of compression here
Slate Digital - Virtual Tape Machine - to thicken up the low end
Waves C6 - only for the low end - again 2-3db of compression and a healthy amount of makeup gain
Logic Stock EQ (sides only) - HPF around 100hz - helps the mix sound nice and wide
Waves L1 Limiter - set to -0.3 and no more than 3-4db of reduction
Hope this helps!
Let me know if you'd like to know anymore.
Alex Jeffries Producer