25-06-2013, 08:46 PM
Hi there, must say that I did struggle with this one, but had to draw a line at some point...
- I triggered a snare and blend it in with an original one, also used a Transient Designer to lower the sustain and increase the attack and 1176se compressor.
- Reamped guitars with Marshall JMP1 and mixed them with Poulin LE456 on DI tracks.
- Only double compression and Eq on Bass guitar.
- Used 1176se and LA-2A on vocals, similar technique as explained here http://www.youtube.com/watch?v=didd5Pv6Ifs
- I triggered a snare and blend it in with an original one, also used a Transient Designer to lower the sustain and increase the attack and 1176se compressor.
- Reamped guitars with Marshall JMP1 and mixed them with Poulin LE456 on DI tracks.
- Only double compression and Eq on Bass guitar.
- Used 1176se and LA-2A on vocals, similar technique as explained here http://www.youtube.com/watch?v=didd5Pv6Ifs
! these two things were the ones that bothered me the most! I don't like the snare too, but I didn't want to replace it 100%, probably this is what I will do for second try. But as for guitars, if I go under 150Hz they get muddy and boxy. I've heard for a "rule" that everything below 120Hz should be mono and best not-distorted, boosting stereo panned guitars at 100Hz is totally opposite from that and I can't get clear sound out of guitars doing that. So I'm a little bit out of idea what to do in many cases, when I don't get the power that I want from guitars... If you can help me on this one I'll be more than happy, I hope there is a trick that I don't know yet 
, is to boost more hard 100hz and boost some on 800hz area, that will give you virtually a mud cut and fatten the guitar on mid freq too, leave you free to adjust presence and hi end as you want!You will notice that i dont boost 200hz area, thats for acoustic-clasic guitar (for me).Hope i help you dude.