29-09-2016, 09:29 AM
First thing that came to mind is that the guitars could have their midrange tamed a little bit.. theres some peaks that get to the ears pretty quickly.
The drums are pretty far back in the track.. Doesn't really do them justice. I feel like the whole track could be pushed a little harder on the master bus, which would catch some of the harsh peaks but also give it some much needed sustained energy. I like the reverb concept you went with though.
The drums are pretty far back in the track.. Doesn't really do them justice. I feel like the whole track could be pushed a little harder on the master bus, which would catch some of the harsh peaks but also give it some much needed sustained energy. I like the reverb concept you went with though.
-MB Pro, Core i7, High Sierra
-Apollo Quad
-PT 12.8.3
-SSL X-Desk
-Neve 542, UBK Kush Electra, Pete's Place BAC 500 Compressors, DBX 165A, Eventide Omnipressor, SPL Transient Designer
-Amphion Two18
-Jim Williams Modded GFA-555
-Burl B2 Bomber ADC
-Crane Song Solaris DAC
-Sennheiser HD650
-Apollo Quad
-PT 12.8.3
-SSL X-Desk
-Neve 542, UBK Kush Electra, Pete's Place BAC 500 Compressors, DBX 165A, Eventide Omnipressor, SPL Transient Designer
-Amphion Two18
-Jim Williams Modded GFA-555
-Burl B2 Bomber ADC
-Crane Song Solaris DAC
-Sennheiser HD650