30-07-2014, 07:59 PM
I came to similar conclusions about my ability to correct the tracking difficulties. I don't blame Enda Reilly, though... we do what we can with what we've got and what we can afford... having said this, I think your work here is admirable.
Mostly I came by to offer a few ideas/thought experiments on a challenging situation. Right now I'm considering the idea of intentional comb filtering and tonal reverbs (although that's pretty much intentional comb filtering too, eh?) to see what I can do to keep a little more brilliance in the guitar/mandolins. The acoustic guitar bleed is pretty problematic in this regard...
Violins are a pretty scratchy too, huh? Kinda like there wasn't enough rosen on the bows. Though that suits that style I think. Something about the method of tracking suggests to me that this wasn't intended to be a pristine, polished sounding song, but more of a minstrel-style.
Mostly I came by to offer a few ideas/thought experiments on a challenging situation. Right now I'm considering the idea of intentional comb filtering and tonal reverbs (although that's pretty much intentional comb filtering too, eh?) to see what I can do to keep a little more brilliance in the guitar/mandolins. The acoustic guitar bleed is pretty problematic in this regard...
Violins are a pretty scratchy too, huh? Kinda like there wasn't enough rosen on the bows. Though that suits that style I think. Something about the method of tracking suggests to me that this wasn't intended to be a pristine, polished sounding song, but more of a minstrel-style.
I'm grateful for comments and suggestions. Thank you for listening!