03-03-2014, 07:41 PM
I think you're approaching the low end incorrectly here. You've boosted the low end of kick and bass like crazy. Sometimes more low end doesn't equal punchier low end. Instead of turning something up loud it might be wise to compress it in order to get more attack out of it. That's why lot of people are compressing the basses and kicks a lot, especially in this kind of music.
Also in general this type of music doesn't hurt from some extra compression everywhere: be it vocals, drum or the mix bus. Modern is modern.
I really didn't understand what you're trying to convey with that vocal delay. Using an out-of-time delay is a very risky thing but can be cool if you can make it work. Here I feel it doesn't work at all. I think it's better first to master the in-time delays before one starts to experiment with the daring off-time delays.
Also in general this type of music doesn't hurt from some extra compression everywhere: be it vocals, drum or the mix bus. Modern is modern.
I really didn't understand what you're trying to convey with that vocal delay. Using an out-of-time delay is a very risky thing but can be cool if you can make it work. Here I feel it doesn't work at all. I think it's better first to master the in-time delays before one starts to experiment with the daring off-time delays.