#19 Blue - Sweet and Smokey (and the Bandit)

[Deliza]

I approach mixes from a kinda imagined real life scenario and muting vocals for a whole verse would be too bold of a move for me since I'm trying the client not to hate me. But it's true that the song feels as if it has one verse too many; I fancied an arrangement compromise (though for some reason I didn't do it in the end): vibes coming in verse 2, EP coming in verse 3 and save piano for last verse (4). Still wonder why I didn't do that.

Raw bass track wasn't lacking mid frequencies at all, quite the opposite so if it sounds muddy that'd be me cutting a lot going after a smoother, more vintage bass sound.

Thanks for the input.