16-05-2015, 04:53 AM
Well, that was kind of what I was going for... super wet on the guitar and just enough on the vocal to give you an idea of the space you're in. (So you can definitely hear it but only in a good way.) I actually dropped everything below ~250 Hz in the delay and shelved it down in the verb a notch but you have to be carefull carving too much out from down there or you basically remove your reverb. 350-500 hz is where much of the goodness is, afterall. I just went back a few minutes ago and split out the delay send so I could then route some of it through the vox verb instead of leaving it totally dry and that opened things up just a bit by softening the delay ever so slightly. I also changed the VOX delay so that the stereo delay timing (just a hint, mind you, ~5ms) is opposite from the guitar and I think that helped too esp as the primary bvox is panned just a titch off center in the opposite direction from the delay.
Old West Audio