30-07-2019, 02:52 PM
Here is my vocal chain, if anyone is interested:
Input channel:
PreSonus Pro EQ (for HP/LP filtering only)
The Glue Compressor (SSL Buss type @ 2:1, .3 ms attack 60ms release) Full envelope following
Izotope Neutrino (clarity enhancement)
PreSonus De-esser (mid-band de-essing)
Vocal Buss:
Acon Digital, Multiply (5 ms in-line delay with moderate stereo spread) This is a Hass type effect for width and depth
API 550B Stereo EQ w/ a little bit of 1.5K and 250 notched out
Klanghelm MJUC Jr. Variable Tube Compressor (Just to top off the wave form)
PreSonus De-esser (for high end de-essing)
That is much more than I usually do and only because it was needed. I actually like the breathy-ness it gives her voice.
Input channel:
PreSonus Pro EQ (for HP/LP filtering only)
The Glue Compressor (SSL Buss type @ 2:1, .3 ms attack 60ms release) Full envelope following
Izotope Neutrino (clarity enhancement)
PreSonus De-esser (mid-band de-essing)
Vocal Buss:
Acon Digital, Multiply (5 ms in-line delay with moderate stereo spread) This is a Hass type effect for width and depth
API 550B Stereo EQ w/ a little bit of 1.5K and 250 notched out
Klanghelm MJUC Jr. Variable Tube Compressor (Just to top off the wave form)
PreSonus De-esser (for high end de-essing)
That is much more than I usually do and only because it was needed. I actually like the breathy-ness it gives her voice.
PreSonus Studio One DAW
[email protected]
[email protected]