13-02-2016, 04:59 AM
I used the out mic of the kick like a subkick of yamaha.
When I record a drum I use a 8 inch woofer with a DI box just out of the kick in rock, or large condenser mic in pop blues or jazz but not so closed as the woofer.
Normaly I put a low pass filter between 100 and 300 hz dipending of the soud that I want, more or less punch.
In mix I serch the better phase between the two mic moving the track.
Nothing else... eq and little bit of compression but not too much.
Some times I do a parallel compression but not in this case, I use it in rock or when I need a lot of presence in very
crowded mix.
When I record a drum I use a 8 inch woofer with a DI box just out of the kick in rock, or large condenser mic in pop blues or jazz but not so closed as the woofer.
Normaly I put a low pass filter between 100 and 300 hz dipending of the soud that I want, more or less punch.
In mix I serch the better phase between the two mic moving the track.
Nothing else... eq and little bit of compression but not too much.
Some times I do a parallel compression but not in this case, I use it in rock or when I need a lot of presence in very
crowded mix.